Jak and Daxter: The Lost Frontier Review - IGN (2024)

See, because the Eco is all out of whack, Jak can't assume his Dark Jak form -- that all-white monster from previous games. However, throughout your journey, you're going to run into Precursor idols that will grant Jak amazing abilities. He'll be able to slow time, create a bubble shield, generate massive pillars, and create a glowing orb that explodes when shot. These moves play into one of the three main parts of this game -- platforming.

Yes, just like the first Jak game, there are a lot of platforms you need to leap to. There are poles to swing from, switches to throw, and so on. By the end of the game, Jak will have a small arsenal of weapons, but those take a backseat this time around to jumping from one ledge to the next. For the most part, this focus was great. I loved the original Jak game, so there were a couple of moments in here -- namely the puzzles that required me to make a shield, teleport, and think -- where I was able to sit back and just take in how much fun I was having and how much I had missed it.

Here's the thing, though: the PSP is a crappy place to put a platformer. Whoa, whoa, whoa – I know what you're thinking, "This is the PS2 review of The Lost Frontier. Why is he talking about the PSP?" Well, even though Jak and Daxter is coming out on both the PSP and the PS2 at the same time, the PS2 version of this game is a port of the PSP version. There's nothing wrong with that – it's actually impressive to me how true an experience this one is to its PSP counterpart – but there is a major disappointment.

See, the lack of a second analog stick on the PSP usually leads to crappy camera control, and that's exactly what happened on The Lost Frontier. Rather than rectify that on the PS2 and let game have full 3D camera control mapped to the right stick, High Impact Games just assigned the left/right camera swing to the stick instead of the shoulder buttons. So even though you have the stick now, you can still only swing horizontally. That sucks. I was hoping this would be the better version of the game because of its potential, but instead, it has the same flaws.

Plenty of times the camera was locked to a position where I couldn't see how much room I had to make a jump. Other times, it was way too zoomed in and I couldn't see where the edge of a ledge was. Another drawback is the inability to lock on to bad guys or strafe. This means that I was often surrounded by baddies and just had to run at the screen shooting in hopes of hitting the enemies I knew were somewhere out in front of me.

The next third of the gameplay pie is dogfighting, and it's actually pretty cool. In the beginning, I climbed behind the controls of the Hellcat and found it a bit too sluggish for my taste, but there's this solid customization element to The Lost Frontier that let me make the plane faster, stronger, and all-around more kickass. There are five planes to unlock by playing the missions or purchasing straight up. Each of these planes has weapon and ability slots. You can fill these slots with armor, machine guns, lock-on missiles, speed increases and so on, but you can also unequip the boosts and move them to other planes.

This is an awesome idea. There's a computer terminal in your pirate hangar where you can buy upgrades with the scrap metal you've earned in the sky. Now normally, I'd be very scientific about when to buy wing armor vs. when to buy lasers, but seeing as how I could put anything I wanted on one plane and know that I could remove it and add it to whatever other awesome plane I was going to get later, I just bought whatever sounded good at the time.

In the air, things feel good. The plane is easy to maneuver and the D-pad's special moves such as barrel rolls and immediate 180s are welcome additions. Occasionally, the fighting can get a bit lackluster as you 180-degree flip behind yet another fighter and take him down, but the ability to launch Daxter at planes for a quicktime mini-game where he strips the plane of parts breaks up the monotony of bringing down the normal bad guys.

One issue that applies to dogfighting (and a little bit to platforming) is pacing. It seems the developers just didn't know when to quit designing fights. At one point you have to take out a turret defense system guarding a coastline. This is a gigantic wall made up of three different sections of guns firing like mad. You whittle down all the guns of one of the areas, they fire a missile, Daxter jumps on and takes forever to hack it, and then you pilot it back into the control grid to blow up that section of defense.

Without spoiling too much, the final fight in the game is much like this as well. Three things happen over and over and over again until you win. The first few times are fine, but there came a point where I was rolling my eyes as the fight entered another round.

Piggybacking a bit off of pacing, the story is kind of all over the place in this one. You team up with some sky pirates early on, meet someone who will be important but is pretty forgettable, I didn't know what was going on with the Jak and Keira relationship until the very end of the game, and so on. It's just not an enthralling tale. Now, does it need to be? No, I don't remember the original Jak having much going on in terms of the story and I was confused as all hell by the ending to Jak II. What I do remember about those games is that they were a blast to play. The Lost Frontier isn't as good, but it does provide you with those throwback moments to the platforming era gone by.

The third and final gameplay type we need to touch on is Dark Daxter. Yes, in this game our orange friend gets dosed with a bunch of Dark Eco and mutates into an 8-foot, spiky backed version of himself. He talks like the Hulk, can hurl Eco balls, and can smash through pretty much anything in his tornado mode.

Probably one of the neatest things The Lost Frontier has going for it is a handful of good ol' fashioned side quests. For every city or area you pilot your big pirate ship in the sky to, you'll find someone willing to pay you to help out. There's a bartender who needs you to jump-slam nails into the ground, a pirate radio DJ who needs you to take down an incoming caravan, and more. These missions can get repetitive -- pretty much all of the pirate radio ones had me flying off to a similar spot to blast similar-looking ships -- but their rewards of scrap metal and Precursor orbs (yup, you can trade the eggs for all sorts of game-changing unlockables, like big head mode) are welcome if you're looking to upgrade your fleet or Jak himself.

Even though Jak can't transform into his other self anymore, he is still collecting Eco from fallen foes. He can take this goo to Keira and upgrade his health, his moves, and so on. My initial playthrough took me a little more than seven hours, and I was only able to buy all of the upgrades in two of the four categories, so there is a reason to replay the game if you have some fun -- especially because after beating the title you can play through on Hero mode, a tougher difficulty that brings over all of your items, powers, and upgrades.

Outside of the gameplay issues, one letdown for me is how empty the world Jak and Daxter exist in feels this time around. When I was stomping through the underground pirate town, it was pretty much just my footfalls I heard. There wasn't any ambient cave noise, chatter from the groups of people in the bar, nor was there any sign of life other than people standing around statically. Once in a while, I'd pass a pirate and hear him say something to the effect of "And a bottle of rum," but this was even more jarring because it seemed to be the only line recorded and it didn't get any quieter as I moved away from him. The game is pretty in parts with rich graphics and some good detail, but the majority of environments look the same and none seem to be alive.